PLEASE THOROUGHLY READ THE ATTACHED!
Al, I'm sure you mean well recommending this and that, left, right and centre. However I've stressed this before - if you are going to do so, do it from EXPERIENCE! Not some semi-random numbers a computer has generated, even if you attempt to qualify it!
I have the *EXACT SAME* setup, which I've built over the last year or so in my RGB, and *SPEAKING FROM EXPERIENCE* the white the old Toblerone kicks out is spot on if I might say so myself Others may agree or disagree - I care not.
From your suggestions, more or less doubling the red is bound to create a *horrible* pink as your "balanced white".
When using LivePro (or any other program for that matter) I whack all the colour channels up to full and it screams...
Proof attached. Although it's MUCH better in person...
(Obviously the camera's sensor sees the colours slightly differently; ironically with a hint of blue...)
I'm not saying mine's perfect - because it isn't. But I can make informed decisions from first hand experience.
Just out of interest: What does Chroma spit out when you put YOUR power levels of each wavelength for YOUR RGB - Whitelight?
If you believe that to look good - great - I will not challenge that.
*Please Note*
I am not directly trying to imply Chroma is wrong and should be binned. I'm implying, "well ok, so what if the CIE co-ordinates are (0.33,0.33)" it LOOKS WRONG. Therefore I stress on proposing REAL WORLD colour combinations that LOOK RIGHT.
I'm sure you could explain some of it away with Dichro losses, modulation instability for DPSS and what not, but the point is in REAL WORLD terms those losses happen *FACT* hence calculations can only get you so far. At some point you must try it in practice. Hence the whole shaboodle of suggesting REAL WORLD colour balances.
I'm sure I will take some flak for this; but I'm calling it as I see it. (Not how a computer tells me I should see it!)
Apologies Bridge for the thread derailment, I believe you have the colour balance *SPOT ON*
Best Regards,
Dan