I think you misunderstood me, a lot. I described a performance that shows I understand very well what you suggest I do not. The only reason I don't do it more is that I have a diagnosed medical condition serious enough to prevent me from doing it.
As to toil, the less of it the better. Work smart, not hard. I looked at that Laser Images thing on a page Google found for me. 4 sets of GS124 scanners, etc, in a large heavy box very much constrained by its fixed nature. Not my idea of fun. But I guess that faster expressions like those that Doepfer's electronics can allow weren't possible then. At least, not as small, cheap, fast, repeatable, etc.
And that guy I mentioned, it worked on him because I PLAYED it. It was a short but fiercely expressive bit of music. I'm sure that if I had pushed one note, or a button, it wouldn't have done a lot.
About discipline, I have that, likely more than enough. I don't think anyone can get as far as I have coding a phase modulation synthesiser without it. The MiniMoog was the result of such discipline. This isn't limiting. It's what gives the scope for the realtime negotiation that makes music possible. It's why most bands would rather have one than a Roland A100 wall-to-wall modular.
I'm not sure what 'right' have to do with anything here. I think it's a matter of fluent negotiation. When a band plays on stage they're not thinking in terms of 'rights'.