I totally expected there to be the Police LED faces, the Starship logo, South America too, and the car from Cars which I remember as being similar to #17 DYNADIG logo. At least the face from Brain Damage makes sense. The restored Brain Damage has a really good hardly at all corny XYI animation of the face and the blade that came from ADAT.
Your work on the graphics looks great. Great clean up on the drums. I like the video too. Your system has less noise and looks more authentic then mine, in spite of all the legendary content. Remind us again please, if you would, a brief story on the DACs and galvos used here?
I have been working with two 4 track shows I haven't previously given much attention to. The shows being John Williams and Laserblast. Ron, if your archive by chance at some point turns up PIN documents for either of these shows, then here's someone making an inquiry at the Library desk.
The Danube board never got built, though I have the schematic and all the rare and common parts ready to go. I've been using analog oscillators and AM to produce the danube circles and eights when called for, which is pretty good. But there are a couple of danube control signals that are present in the 351 data and are reproduced by the multabela. It is the hardware these signals control that remains unexplored.
Pursuant to this, I have been noting somewhat rare long passages of danube circles and eights in various shows, so that there will be interesting historical data to test a rebuild of the hardware on. And I found something quite awesome.
The mid part of the Cantina song has this weird aggressive bass that doesn't to me seem nearly as pronounced in any other recording of the music I've heard. Maybe it's some custom laser mix. And there appears a big phat blue danube eight astoundingly tightly visually mimicking the bass, so I bet there is some telltale rotation rate and cue data worth looking at. I wonder what exactly the cue bit does.