No one ever seems to mention Dan Slater. Dan was the brains behind most of the original electronics, designed the original cycloid generator, scanner system, beam torquer, and more. He's on the original patent.
swamidog, Great looking audio colormod effects in the video! I can imagine hitting a button to seize the audio derived parameters for the image to freeze the frame so to speak, and then modulating those parameters, and then hitting the button again to cut back to the audio colormod.
I may have used some similar effects in the attempt I made at Hyper Gamma Spaces using one projector, a Helios DAC, Lasershowgen, and some image generating tools written in java. It is an ILDA frames thing though.
video here, 2:18 for colormod effect
https://www.youtube.com/watch?v=eAqdHYWCFAo
suppose you're thinkin' about a plate o' shrimp. Suddenly someone'll say, like, plate, or shrimp, or plate o' shrimp out of the blue, no explanation. No point in lookin' for one, either. It's all part of a cosmic unconciousness.
David Zurcher's Audiolaze unit can create effects similar to these. It accepts line-level audio and feeds it to 8 separate band-pass filters. Each band has a gain adjust (to set the "trigger" level for that band) and 3 switches for mapping the output signal to the red, green, and blue color channels. (You can map multiple bands to the same channel(s), and you can map multiple colors to a single band as well if you want.) Each output color channel has some envelope adjustments (attack, sustain, release). There's also a chopper that can be enabled for each color channel. Finally, there's a switch to control how the colors are mapped to the original ILDA signal.
It's a beautiful piece of kit. I love using it with a simple spiral raster image to create beat-synchronized paisley patterns that slowly move and shift. It works well with a Radiator, or even with just a monochrome spiral coming from Beyond, but it *really* shines when you connect it to a Z5 + console so you can use the 3 color oscillators to chop up the raster before feeding it to the Audiolaze. I never seem to get tired of the endless patterns you can create with this setup.
Unfortunately, capturing this effect on video is tricky at best. I've played around with a few different camera aps for my phone, but I haven't found one that works as well as I'd like. In person though, the results are amazing.
Adam