
Originally Posted by
dchammonds
I appreciate that.
My parents had a small recording studio for a time, using an old tube-type RCA, 2 channel broadcast audio console. It had basic EQ, a nice patch panel, circa late 50's. I learned to use it along with an Ampex 300 and 440 to make demo tapes for local bands. I used to salivate when seeing solid-state of the art 48 x 16, 32 x 8, etc. mixers with parametric eq. This was in like 1968. In '69 my brother (who new Fourier and Laplace transforms) helped me build an op-amp based, single channel parametric eq. With that, I felt like I was livin' in high cotton as I could choose which instrument mic to use it on.
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Everything depends on everything else