i do the same thing with my abstracts. turn off all color cycling and intensity effects and concentrate on making an interesting base effect. then add complexities. it's very helpful when trying to find scannable harmonics.
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Oh.... so.... there's more of a method to your madness than just mashing buttons until pretty light comes out, huh? I KNEW there was more to it! *retardo
i, of course, do this blindfolded while mashing buttons with my monkey hands.
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I posted this to FB, but since this thread needed a bump, I figured I'd post here as well! *retardo
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You have to come to SELEM (or purchase a Z5 console) in order to unlock the videos! *retardo
Adam
Speaking of Z-5 videos... here is a short clip that I recorded on my iPhone last night, it doesn't even come close to capturing the glory.
https://www.youtube.com/watch?v=smnrcTrxAwo
Playing around a little more the the FFT feature in Beyond. Sure, this part is "canned" and the music does the work but you could throw in some live elements while this is running e.g. rotation events, chopping, even warping. I plan to have other effects along with this too. My Cokin star filter would probably look good on the corners. I'm trying to get a little more randomness into my cues to make them look less perfect. It's been stated many times that computer abstracts have a "perfect" feel to them. This video should have been longer but the battery in my camera died.
https://www.youtube.com/watch?v=cWP61H1cuis&feature=youtu.be