suppose you're thinkin' about a plate o' shrimp. Suddenly someone'll say, like, plate, or shrimp, or plate o' shrimp out of the blue, no explanation. No point in lookin' for one, either. It's all part of a cosmic unconciousness.
Don't get me wrong, of the canned abstract shows I have seen on PL, yours are best.
It is a lot of fun and knowing your work, I am sure your stuff would fantastic.having some hooks for operator control during the shows sounds like fun and is something i'd like to explore in the future.
If selling shows to other laser guys, you can only sell canned shows but if you put together a great canned show with live elements, it will be different each time. It can change based on mood, the audience input and even the imperfections in us that change the way we repeat things. This is why people love live music. We listen to the same tracks over and over because we love them but when we see them performed live, it is a whole different experience. Watching David Gilmour's ear-to-ear grin during the Pulse concert was priceless. Seeing them live was truly an amazing experience. Who would go to see a band and watch them pop a cd in and press play? That sounds like fun for no one.
If you're the smartest person in the room, then you're in the wrong room.
People like live music because they get to see the performers and interact with them. No one wants to interact or see the guys twiddling the knobs at a laser show.
Actually there are any number of reasons people like live music. There's a magnificent old Fox Theater here in St. Louis and your reason for going to see live music there is particularly appropriate - since the acoustics are awful. Around the block is The Shelden where you go to listen to the music. The advantage to live is you get to experience it differently. There can be an awesome energy coming from the rest of the audience. If you're the right kind of performer you can learn things from the audience too.
"There are painters who transform the sun into a yellow spot, but there are others who, with the help of their art and their intelligence, transform a yellow spot into the sun." Pablo Picasso
I'm an ol' fart, from near the beginning days of planetarium laser shows and hope I'm not intruding into this conversation.
I started out in 1974, in my mid-20's taking astronomy at a local junior college. This 40' planetarium had a very creative director/astronomy professor, along with a very talented photographer special effects tech. I joined the team the following year having been a recording engineer, theater projectionist and electronics tech. To me what made the planetarium experience great was directly proportional to the talent that "performed" visual and aural "dark theater" effects while blending in the 3D virtual astronomical visuals. The director was aware of Laserium long before I was since it was a phenomena spreading throughout more and more planetariums by the mid-70's. The planetarium had just gotten a .5mW HeNeIt and the directory asked me to figure out how Ivan Dryer did those effects. That's how I got my start.
My key point is this. Dark theater is a technical art form that when drawing from an eclectic range of dark theater effects (including judicious uses of the planetarium star ball and other optical effects) can produce a transcending experience. Lasers in and of themselves are very cool indeed, and today have tremendously more versatility. I spent years developing computer controlled, multi-channel, programmable DAC boards, but my personal experience seemed to support a greater value was delivered to the audience when a core scripted show left room for real-time, manual augmentation based on audience feedback.
In '77, I went to Europe, London was our first stop. There was a laser show all the rage playing at the Metropole Cinema called "Lovelight", it premiered at the Hayden Planetarium in Boston. The creator was I believe Jean Monagu (general scanning) and a very talented group of others. It was an early computer generated, scripted animation using multi-colored, closed-loop scanners, multi-track FM modulation tape, a very grand production. The visuals were very impressive but the show "experience" left me underwhelmed and disappointed (all while wondering "how the hell did they do that"). I still have the London magazine "What's On In London" with laser show's visuals on the front cover and the lead story somewhere. (I found the London mag since I first posted and re-edited this.)
Live music shows with or without lasers, in effect bear out this blend of quasi-scripted/spontaneous performance formula for making it such a higher level audience experience, to me at least.
Cheers
Last edited by lasermaster1977; 01-03-2017 at 10:19. Reason: Re-reading the article jogged more memories
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Everything depends on everything else
we actually had great attendance, problem is museum didn't really like it and the people in charge are so grossly incompetent it's kind of mind blowing... now due to mismanagement they closed the old museum over a year ago and the new one isn't ready yet
as far as music choices, we often made shows for music that was popular but interest would die off quickly... the floyd/beatles/etc shows usually sold out...
we did aggressively promote on facebook/craigslist/yelp/meetup/etc, basically anything that could be done for free
Incompetence in these types of facilities abounds. The definition of success varies so greatly across the organizations, and the great divide between administration and front line is often huge, so it's really a surprise when something goes right. The phrase "It's hard to tell from this distance if the board is sitting on their hands or frantically trying to cover their assess." comes up quite a bit.
The band's with with a huge following have have a fan base and there is often a history of knowing there are laser shows for them. Any time I mention laser shows to someone new, they often say "oh like Pink Floyd?" One planetarium ran an ad that was easily misinterpreted to think that U2 would be playing there. The people came to droves. And we're subsequently disappointed.
Quite likely, even if you bring in more money, they wouldn't let you have access to it to use it for more advertising...to bring in even more money. I try to tell these people that Non-profit is Isa tax status, not a mandate.
they ran first friday of the month usually, sometimes we would do friday and sautrday (like end of the year during winter break)
last schedule is actually still up
http://bird.miamisci.org/www/planeta...aser_shows.php